There’s so much more to great music than what you hear coming through the speakers.
More often than not, it’s the result of interesting twists of fate that inspired the lyrics or melody, hours of studio tweaking and fine-tuning, and then work …
This item is available in full to subscribers.
If you're a print subscriber, but do not yet have an online account, click here to create one.
Click here to see your options for becoming a subscriber.
If you made a voluntary contribution of $25 or more in Nov. 2018-2019, but do not yet have an online account, click here to create one at no additional charge. VIP Digital Access Includes access to all websites
Selection: Terrace Martin presents The Pollyseed’s “Sounds of Crenshaw, Vol. 1,” released on Ropeadope Records.
Review: Martin is one of the new generation of musicians bringing life and vitality back into jazz. He’s worked with other contemporary jazz luminaries like Kamasi Washington, Thundercat and Robert Glasper, and has made songs with Kendrick Lamar, Raphael Saadiq and YG. On this album, he works with a group of jazz musicians to make an album inspired by Los Angeles’ Crenshaw neighborhood.
Invigorating and beautiful, this will probably end up as the year’s best jazz album.
Favorite song: “Funny How Time Flies” feat. Robert Glasper
Best proof jazz can still take your breath away: “Mama D/Leimert Park”
Other items that may interest you
We have noticed you are using an ad blocking plugin in your browser.
The revenue we receive from our advertisers helps make this site possible. We request you whitelist our site.