Sure, there’s a monstrous amount of pressure on the new fantasy adventure “Oz the Great and Powerful” and for the right reasons. After all, it’s a prequel to one of the most beloved films of all time with “The Wizard of Oz,” which continues to captivate audiences more than 70 years after its release in 1939.
Still and all, “Oz” star James Franco said he can’t let himself get intimated by any built-in expectations that go with film, especially given the fact that “The Wizard of Oz” hardly featured the Wizard (Frank Morgan) at all in comparison to the fearless foursome that traveled down the yellow brick road.
“The idea of getting a chance to see the history of the man behind the curtain was one of, if not the initial spark, that made producer Joe Roth green-light the script,” Franco told me in a recent interview. “I knew the character of Oz, the protagonist, would be different. Our emissary into Oz would no longer be an innocent young woman — it was a man who would be anything but innocent — who could bounce off the world and not quite fit in, and all of that stumbling through Oz could be played for comedy.”
Now playing in 2D and 3D theaters and on IMAX screens nationwide, “Oz the Great and Powerful” has already earned more than $150 million at the North American box office, and with an additional $136 million in overseas ticket sales, its studio, Walt Disney Pictures, is already planning a sequel.
The film follows the beginnings of L. Frank Baum’s legendary character, Oscar Diggs (Franco), a scheming, small-time circus magician who is whisked away in a hot-air balloon from the swirling dust of Kansas and dropped in the mystical, vibrant land of Oz.
Seen as a prophetic figure who will save the land and its residents from a mysterious evil force, Oscar at first meets witch sisters Theodora (Mila Kunis) and Evanora (Rachel Weisz), who are not quite convinced that the new visitor is all that he claims to because of his obvious lust for fame and riches.
Sent by the sisters on a mission to destroy an “evil” witch in the Dark Forest, Oscar soon finds out she is actually Glinda (Michelle Williams), a good witch who is quite aware of the magician’s shady motivation.
Still, she has faith that Oscar has the capability to be a great man — and ultimately, the great and powerful Wizard of Oz.
“Oz the Great and Powerful” marks the fourth time the “127 Hours” Oscar nominee has worked with director Sam Raimi, following the actor’s stint as Peter Parker’s (Tobey Maguire) best friend-turned-nemesis Harry Osborn in the director’s “Spider-Man” trilogy.
Franco, 35, said he was relieved to play a good guy for Raimi in “Oz the Great and Powerful,” because, while they got along working on the “Spider-Man” films together, he felt the director found it easier to relate to Peter than Harry — and it made a difference on the set.
“In those films I was a supporting character, and not only that, Harry wanted to kill Peter Parker because he thought Peter killed Harry’s father,” Franco explained.
“Sam identifies very closely with a lot of his characters, and because he identified so closely with Peter Parker, I think he was little uncomfortable around me at times. I felt like I wasn’t getting the same amount of love from Sam as Tobey was, just because of the characters we were playing.”
That’s not to say Raimi was cruel to Franco, the actor added, he just felt “secondary.”
“In this film, I’m playing the lead character and I think Oscar Diggs is more in the mold of Sam’s earlier protagonists like Bruce Campbell’s character in ‘The Evil Dead’ films,” Franco observed. “With ‘Oz,’ I was finally in the full sunlight of Sam’s love.”
The bonus, Franco added, was that, as visually spectacular as “Oz the Great and Powerful” is, he knew (based on his “Spider-Man” experiences) Raimi was as invested in the emotions of the characters as he in was the film’s look.
“I had the same faith that Sam, (production designer) Robert Stromberg, (visual effects supervisor) Scott Stokdyk and all the visual effects people would create a visually stunning version of Oz, but Sam also had a huge part in designing my character,” Franco said.
“This is why the character also has a journey. This is not just a travelogue film through a fantastical land with great visuals. It’s not just a physical journey, it’s an inner-journey. The character starts off in a rather low place — he’s a bit of a cad and very selfish, then moves on to becoming a better man.”
Tim Lammers is a syndicated movie reporter whose work appears on more than 50 TV news and entertainment websites across the country. You can see Tim’s work on his website, StrictlyCinema.com, and follow his tweets at Twitter.com/TimLammersFilms. You can also “Like” Tim on Facebook.com/StrictlyCinema.